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please see here for press related to the exhibition:
Review by Tom Emery in Frieze 12 Mar 2018 : On Milk: a Story of Regulation and Control
Online journal: earth sciences is an evolving selection of contemporary art exhibitions, research, and writing in the age of global warming.
Deeper in the Pyramid by Melanie Jackson.
Opening event and book launch: 3-6pm 27th May.
Opening event talk: Milk and Futurity – Deeper in the Pyramid.
Artist Melanie Jackson and writer Esther Leslie will be discussing key aspects
of Melanie’s work, whilst drawing upon writing in the book that they collaboratively
authored, with a Q+A to follow.
Exhibition: 27th May – 22nd July.
Milk is polymorphic with an inclination for promiscuous collaboration, whether it be with bacteria, with cartoon avatars, with economics, pornography, genetic re-calibration or the politics of race. It is fundamental to all mammalian bodies, whilst also being one of the most technologised fluids on earth. Deeper in the Pyramid engages with the bio-economy and its representations, through the webs of care, exploitation and collective fantasy that interconnect life forms at every scale.
The work comprises animation, sculpture, and a graphic novel with writing by Melanie Jackson and Esther Leslie, taking us on a journey of lactic abstractions, through the webs of bio-invasion and collective fantasy that interconnect various life forms through milk, its technologies and representations. The ontologies of species and gender have always been shaped by our relations with this primal liquid, and ensuring a ready supply has driven research in genetics, fertility and robotics. It is now open for radical transformation as new bio-organisms emerge, and real science merges with the fantastic.
The project has been developed with Grand Union, Birmingham and Primary, Nottingham.
Melanie Jackson is an artist working with writing, moving image, and sculpture. She works as a tutor at the Royal College of Art. Recent solo exhibitions include Deeper in the Pyramid at Grand Union, Birmingham, and The Urpflanze (Part 1) and The Urpflanze (Part 2) at Drawing Room and Flat Time House. She has also held solo exhibitions at Chapter, Matt’s Gallery and Arnolfini and exhibited internationally in group exhibitions such as Take Me to the River, DRF Biennale, Osaka, Japan, and The Global Contemporary, ZKM Museum of Contemporary Art, Karlsruhe, Germany.
Esther Leslie is Professor of Political Aesthetics at Birkbeck, University of London. Her books include Liquid Crystals, (Reaktion books 2016), Hollywood Flatlands: Animation, Critical Theory and the Avant-Garde (Verso, 2002); Synthetic Worlds: Nature, Art and the Chemical Industry (Reaktion Books, 2005); Derelicts: Thought Worms from the Wreckage (Unkant, 2014); and Liquid Crystals: The Science and Art of a Fluid Form (Reaktion Books, 2016).